When you do this in your script, it’s best to use a pencil - if you use a pen and change your mind halfway down the page, your script will get messy. As seen below, you do this with a line which is closed off at the top and the bottom top to signify the end of that shot. In the example piece above, I’m going to breakdown and visualize the information into different shots. First, you need to break down the shots on your script page. Yet even Miller says “You may design any format that serves your purpose, so long as the following information is properly recorded…”Įssentially, as long as your production crew is familiar with your format, you’re good to start shooting. Miller, explains expertly explains the formal process. In the book S cript Supervising and Film Continuity, author Pat P. Regarding shot lists, I’m sure you could find several different ways to create one. ![]() There isn’t just one way to do something or one word to describe that particular function. Here’s one tested method to try next time you break a script down into a shot list.įilmmaking procedures will often change from production to production, studio to studio, and from region to region. ![]() There are a few different ways to create a shot list, but what matters most is that you take the time to do it.
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